|
How To Get Ahead In Advertising
|
1988 Richard E. Grant (Bagley); Rachel Ward (Julia); Richard Wilson (Bristol); Jacqueline Tong (Penny Wheelstock); Susan Wooldridge (Monica); John Shrapnel (Psychiatrist); Hugh Armstrong (Harry Wax); Mick Ford (Richard); Jacqueline Pearce (Maud); Christopher Simon, Gino Melvazzi (Waiter); Victor Lucas (Tweedy Man); Dawn Keeler (Tweedy Woman); Kerry Ann White (Girl In Elevator); Vivienne McKone (Receptionist); Donald Hoath, John Levitt (Businessman); Gordon Gostelow (Priest); Pip Torrens (Jonathan); Tony Slattery (Basil); Rachel Fielding (Jennifer); Pauline Melville (Mrs Wallace); Roddy Maude-Roxby (Dr Gatty); Francesca Longrigg (Nurse); Tanveer Ghani (Hospital Doctor); Joanna Mays (Phillis Blokey); Sean Bean (Larry Frisk). Production Designer: Michael Pickwoad; Camera Operator: Bob Smith; Editor: Alan Strachan; Original Music by David Dundas and Rick Wentworth; Photographed by Peter Hannan; Co-Producer: Ray Cooper; Executive Producers: George Harrison, Denis O'Brien; Produced by David Wimbury; Written and Directed by Bruce Robinson; Production Manager: Kathy Sykes; Assistant Director: Peter Kohn; Production Accountant: Bob Blues; Costume Designer: Andrea Galer; Sound Mixer: Clive Winter; Art Director: Henry Harris; Casting Director: Lucy Boulting; Production Co-ordinator: Valerie Craig; Script Supervisor: Sally Jones; Focus: Stefan Stankowski; Loader: Adam Cooper; Grip: Luke Quigley; Boom Operator: Trevor Rutherford; Sound Maintenance: Alan Brereton; Location Manager: Gilly Case; Assistant Directors: Melvin Lind, Dominic Allen; Location Assistant: Guy Tannahill; Construction Manager: Alan Chesters; SetDecorator: Robyn Hamilton-Doney; Property Buyer: Dennis Maddison; Property Master: Bruce Bigg; Dressing Props: Ray Rose, Stan Cook, Peter Bigg; Wardrobe Mistress: Heather Williams; Hairdresser: Sue Love; Sound Editor: Alan Paley; Dubbing Mixer: Otto Snel; Dialogue Editor: Paul Smith; Associate Editor: Peter Holt; Assembly Editor: Sarah Thomas; Assistant Editors: Pat Brennan, Paula Connor, Kevin Lane; Assistant Accountant: Gordon Davis; Producers Secretary: Stephanie Clark; Accounts Secretary: Jacky Holding; Casting Secretary: Marilyn Milgrom; Production Runner: Lynn Hoey; Trainees: Graham Norton, Lorraine Luke, Vicky Burton; Gaffer: Reg Parsons; Best Boy: Brian Martin; Electricians: Ronnie Rampton, John Turner, Andrew McDade, Alan Grosch; Standbys: Ned Kelly, Brian Morris, John Robertson, Peter Browne, Danny Hunter, Les Andrews; Construction: Jim Foran, John Bastin, Peter Duffey, Peter Beasley, Larry Marchant, Charles Cottrell, Frank Berlin, Patrick Lynch, Don McLlellan, Brian Webb, Michael Webb, Les Henning; Transport: Mike Beaven, Roy Clarke, Dave Manning; Still Photographer: Sophie Baker; Unit Publicist: Libby Shearon; Make-Up Designed and Created by Peter Frampton; Animatronics and Prosthetics Built by Nik Williams and Daniel Parker, Animated Extras; Animatronics: David White; Sculptor: John Blakely; Mould Maker: Richard Neal; Foam Maker: Sue Higgin; Puppeteer: Mike Quinby; Runners: Luke Sawh, Ruth Hogg; Special Thanks to: Inger Best, John Buckley, Cathy Bunce, Denis Carrigan, Marigold Charrington, Bob Crowdy, Neil Grimshaw, Rand Holston, Richard Kuttner, John and Benny Lee, Lee Martin, Paul Olliver, Gerry O'Riorden, Ronnie Pearce, Mary Selway, Willy Smax, Martin Sponticcia, Ian Weil and Ralph Steadman, Anthony Price, Parfums Givenchy, Ebel Boutique, Watches of Switzerland, Tarn Film and TV and all at 26 Cadogan Square; From Symphony No.3; Composed by Camille Saint Saens; Published by Editions Durand, S.A. Paris-UMP Limited; Conducted by Rick Wentworth; My Generation; Composed by Pete Townsend; Copyright 1965 Fabulous Music Limited; Performed by Joanna Mays; "Toccata" from Symphony No.5; Composed by Charles-Marie Widor; Published by Editions Hamelle-Paris-UMP Limited; Performed by Leslie Pearson; Smoke Gets In Your Eyes; Words by Otto Harbach; Copyright 1933 T.B. Harms Co; Used by permission of: Chappell Music Limited; Performed by Joanna Mays; Jupiter, the Bringer of Jollity from the Palanets Op.32; Composed by Gustav Holst; Published by J. Curwen & Sons Limited; Conducted by Allan Wilson; Original Music Published by Ganga Publishing B.V. (P.R.S.); Bluebird Animation by Hibbert Ralph Animation; Lighting by Lee Electric; Camera Equipment by Joe Dunton Cameras; Location Transport by D and D International; Catering by First Unit Caterers; Processed by Technicolor; Originated on: Fujicolor; Music Engineered by Keith Grant; Music Performed by Graunke Symphony Orchestra; Music Recorded at Bavaria Music Studios; Re-recorded at Pinewood Studios; Titles by Damson Studios; Publicity Consultants: Dennis Davidson Associates; Made by HandMade Films (Productions) Limited; on location and at Lee International Film Studios, Shepperton, England; Camera Operator: Godfrey Godar. ©1988 Handmade Films (1981) Partnership. All rights reserved.
|
|